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Thursday, May 30, 2013

Brand Loyalty

Seems it's been far too long....



I really haven't ever been loyal to one specific brand name; generally I use products from a variety of companies, as price and availability are two constants that determine my purchasing trends.

However, since I love working with fused applique I've ALWAYS used Steam-A-Seam fusible web. It was the product that was recommended and used in my first applique quilting class I took. It still is what I like using today; until... the company had manufacturing issues and the stores ran out of it.


THERE IS ONLY ONE DECISION TO MAKE:
Stop all applique work until it returns; or.. try another fusible web product, for now.


At the time, I was working on my Flag Quest project and it used a LOT of fusible web; thereby, depleting my Steam-A-Seam supply to mere scraps. Had I known ahead of time, I could of used another product for the larger pieces. But... that isn't how life dishes out opportunity, now is it?

After waiting several weeks to get to check another quilting store, I was faced with that opportunity. No Steam-A-Seam!! The product that was available was 805 Wonder-Under and as quilting must go on, I purchased four metres of the stuff; hoping I could work with it.

I came across a blog post that gave me hope and helped me feel it was going to be okay. (Sorry, I can't give you the link as I can't locate it again.) With this method, large pieces of fabric are fused and the paper is taken off before the appliques are created. This solves the issue of  accidently fraying the applique pieces when taking off the release paper.

For me, this method is not workable, as I only want to fuse small individual pieces on a large variety of fabrics. I still did not think it would be the solution for my projects. Now, how to get those applique pieces to release from the paper?


My new project--a family tree quilt--has lots of tiny and odd shaped pieces; and if I was going to survive the applique process, I needed a solution to getting those pieces to release from the paper.


My Alternate Method: (Wonder-Under)

This transfer web works differently than my favorite fusible; and it didn't take too many times to "retrain" my brain to remember to do this one extra step.

THE EXTRA STEP:
Release one edge before cutting out the applique design.


Required is a loose edge to grip when tearing off the paper after the image has been fused; then you will be able to separate it successfully.
 
When the piece has been fused properly, it will lift easily. If the web seems to tear from the paper as you try this; then refuse as it hasn't melted properly onto the fabric. Cool, and try again.
 
 
Tip:   If you still can't easily separate the paper from the fabric with your fingertips, use a seam ripper as it works well to get in between the paper and the fabric. Then if fraying results at this edge, which is outside the cutting lines, it won't ruin the applique piece.
 
 
 

LIFT UP ONE EDGE--SEPARATE PAPER AND FABRIC



Pull the paper back to separate it from the fabric, about 1/4" or so within the cutting lines. Then finger press it back down. Hold this piece in place and begin cutting out your design from this point. After the applique is completely cut out, lift this edge and gently pull off the release paper.


 
PULL PAPER BACK TO WITHIN CUTTING LINE
 
 


So, this is how I developed my plan:

DRAWING OUT THE IMAGES:
With this web, I allowed extra space between drawn images. This gave me extra white space outside my drawn lines after cutting the applique pieces apart. I thought I would need this space all around the design; however, it is most important to have extra on the edge you will pull to start releasing the paper.


FUSING AND CUTTING OUT THE DESIGN:
In this case, I could not get the paper to release, no matter what I tried. So my method was what actually worked.... Before cutting on the lines, remember to release one corner or edge of the applique. Then begin cutting out the piece from where you lifted the edge. This is easier to cut first as the rest of the applique is still held securely in place.


*******************



So with this worked out, I can actually say that my project is going very well. Would I go back to using Steam-A-Seam when it returns to my quilt shop, well, yes I would!! There are some other features that it has that I love.

Sometime, I'd like to do a review on several types of web to compare their features. This would help me know which products are best for certain projects. And, it certainly would be a good idea to have more options because running out of your favorite products is undesirable.


Hang in there and happy crafting.







Tuesday, April 30, 2013

Cleaning Your Iron

I prefer to work with appliqued elements on my quilt projects. And, my favorite technique is still machine fused applique using Lite Steam-A-Seam 2 fusible web. Therefore, this gives me the added task of ensuring my iron stays away from that sticky fused residue.

But, does it.....

Simply, no.
So here is what I do to keep my iron clean, longer.




Keeping It All Clean

Method One... 


I know there are great products on the market to keep that iron base clean; however, it isn't usually the thing I think about when out shopping. And... I would still rather spend my money on fabric!!

So, when I need to clean my iron; and I either don't want to spend money for it or am not near a store to buy some. I head down to the kitchen and get the Comet and a damp cloth. I've used this method a few times and am very happy with the results.







Here is my proof on all this...


BEFORE...
 
 
 
 
... AFTER



PS.. I also used the Comet on my green cutting mat, and it took off a lot of black marks and grit. I have no idea what one should use to clean them, but this did work.




Method Two... 


Since all things still do get dirty even after our best effort and wishing it wasn't so.... that iron will still give it's best effort at ironing and pressing our projects. And in the process, will pick up whatever it comes in contact with, such as: pencil, ink, or fusible web.

Sometimes it just has a hissy fit and sputters out water when the steam feature is used. So if or when any of this stuff happens, I've adopted another way to keep both fabric and iron clean.....




by using a pressing cloth. I have some thin, white cotton fabric that never gets picked for any quilt projects. Now, it works perfectly as a pressing cloth. If you look on the photo, I placed an "x" in the top corner to show you that it's important to mark the right side. This way, it always faces up; not allowing the iron to mess up the fabric or the fused applique pieces from messing up the iron.



Generally, one wouldn't think the pressing surface would get so dirty, but it does. If all we used our irons for, was pressing freshly laundered clothing, that may be so. However, it's all that other stuff we prefer to use the iron for; creates opportunity for this to happen.
 
 
Now, all I need to clean are those quilting gloves.  Haven't ever remembered to look at the package instructions or go online to see how to clean them.   ....perhaps one day I'll get to that as well.



Hang in there, and happy crafting!!






Friday, April 19, 2013

Applique Stitches

Have you ever tried fused machine applique—on a quilt project? I’ve collected some of my work; and with these images, want to demonstrate the various stitching methods and thread colors that can be used. You may use only one stitching method or a combination of these stitches on your project.

Here is how easy it is to create beautiful designs.

Buttonhole Stitch:


This is a favorite stitch for finishing up the edges of the raw-edge fused applique method. It can be done by hand or by machine. Some people like to do it in the traditional color of black; however, any color can be used, as it depends on what project goals are in mind. 

I love experimenting with thread color and so have done it using different colors, such as: black, green. Generally, I like using green for floral designs and plant life; and black for most other designs. If you don't like the black, as shown below, then choose other colors.
 
Coneflower--buttonhole stitch
Appliqued with all green thread.



Butterfly--buttonhole stitch
Appliqued with all black thread.

 
 

Holly and Ivy--combines buttonhole and zigzag stitching
Leaves-green thread; Berries-red thread
 
Images: The holly and ivy design was all done by machine. For those curvy lines, I just used a straight stitch and went over the lines twice. 


 

Applique Stitch:


Another stitch that is similar to the buttonhole stitch; it is called the applique stitch. I have this one on my sewing machine. It is a bit less bulky, and is also a faster method because it uses less back and forth stitches in the process of creating each stitch.

This stitch I have done using a variety of colors and they all look great in the design. The thread color can match the applique piece; or be in contrasting colors, such as: white on black, red on red, black on any color. 


Orange heart--applique stitch
Blue/Green tulip--buttonhole stitch
Green/Yellow leaves--zigzag stitch
 
 

Hexagons--applique stitch
Appliqued with all green thread.
 
 
 
Hexagon snowman--applique stitch
Appliqued with all white thread.

Images: The hexagon blocks are from Block of the Month 2012 on Craftsy.
If you find creating hexagons too difficult on your hands or like that method, as little as I do; why not use a machine stitching to attach to your quilt.
 

Zigzag Stitch:


The zigzag stitch is a favorite stitch to use, as well, for applique designs. All machines have this stitch, and so if your machine doesn’t have the buttonhole or other applique stitches on it; you can still finish fused applique designs with stunning results.

It is the quickest stitch and allows one to finish up a quilt block with much greater speed. This may be one factor in choosing this stitch. My experience confirms that it can also be a great stitch to use when the applique piece has many curves or bends in it, as it can much more easily go around these shapes. The finished results feel smooth to the touch and can be a better choice, if you want a delicate result. 


Ghost--combines buttonhole and zigzag stitching
Appliqued with all black thread.


Orange blossom--zigzag stitch
Appliqued with thread matching fabric colors.



Peony--closeup
 
 


Peony--zigzag stitching
Appliqued with a variety of thread matching fabrics.

 
The quilt blocks for my "Flag Quest" designs will be appliqued with a variety of colors and using the zigzag stitch as shown on the Peony. These will be showcased later in another project. 
 
I wanted to show you how these stitches can make any design beautiful; and when you consider your next quilting project; perhaps you’ll be able to give this applique method a try.

For a quick little project, check out my mouse pad mini quilts on “My Craftsy Store”. Along with one free pattern, there are a variety of designs to choose from with more coming soon.

 
Hang in there, and happy crafting!!